Etching From the Live Model
Paul Mullowney
September 1, 2007
9:00 am - 12:00 noon
Print Studio
Join us in the Print Studio to explore why artists draw the figure and how print-making artists employ it directly in their medium. As a model poses, participants will work on drypoint, soft and hard ground plates, etching and proofing the images in subsequent sessions. In the first session, master printer Paul Mulllowney presents a refresher for intaglio media. People wishing to simply sketch during the sessions are encouraged to join.
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| Fee: $25 ($30 nonmember)
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Etching From the Live Model
Paul Mullowney
August 4, 2007
9:00 am - 12:00 noon
Print Studio
Join us in the Print Studio to explore why artists draw the figure and how print-making artists employ it directly in their medium. As a model poses, participants will work on drypoint, soft and hard ground plates, etching and proofing the images in subsequent sessions. In the first session, master printer Paul Mulllowney presents a refresher for intaglio media. People wishing to simply sketch during the sessions are encouraged to join.
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| Fee: $25 ($30 nonmember) |
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Free Critiques with Brad Brown
Brad Brown
July 15, 2007
1:00 pm - 3:00 pm
Print Studio
Brad Brown will be on hand in the Hui print studio for drop-in group discussions. Artists are encouraged to bring their work for informal critiques and dialogue with the artist and each other. Please call for a reservation!
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Free Critiques with Brad Brown
Brad Brown
July 15, 2007
10:00 am - 12:00 noon
Print Studio
Brad Brown will be on hand in the Hui print studio for drop-in group discussions. Artists are encouraged to bring their work for informal critiques and dialogue with the artist and each other. Please call for a reservation!
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Free Critiques with Brad Brown
Brad Brown
July 14, 2007
10:00 am - 12:00 noon
Print Studio
Brad Brown will be on hand in the Hui print studio for drop-in group discussions. Artists are encouraged to bring their work for informal critiques and dialogue with the artist and each other. Please call for a reservation!
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ETCHING FROM THE LIVE MODEL
Paul Mullowney
First Saturday of the Month
Session 4: July 7, 2007
9:00 am - 12:00 noon
Print Studio
Join us in the Print Studio to explore why artists draw the figure and how print-making artists employ it directly in their medium. As a model poses, participants will work on drypoint, soft and hard ground plates, etching and proofing the images in subsequent sessions. In the first session, master printer Paul Mulllowney presents a refresher for intaglio media. People wishing to simply sketch during the sessions are encouraged to join. |
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| Fee: $25 ($30 nonmember) |
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ETCHNG FROM THE LIVE MODEL
Paul Mullowney
First Saturday of the Month
Session 3: June 2, 2007
9:00 am - 12:00 noon
Print Studio
Join us in the Print Studio to explore why artists draw the figure and how print-making artists employ it directly in their medium. As a model poses, participants will work on drypoint, soft and hard ground plates, etching and proofing the images in subsequent sessions. In the first session, master printer Paul Mulllowney presents a refresher for intaglio media. People wishing to simply sketch during the sessions are encouraged to join. |
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| Fee: $25 ($30 nonmember) |
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OIL-BASED REDUCTIVE WOODBLOCK PRINTING TECHNIQUES
Open
Casey Neumann
Saturdays, 2 weeks
May 12, 2007 - May 19, 2007
9:00 am - 12:00 noon
Print Studio
Explore the possibilities of multi-color printing from a single block with Casey. Reductive printing involves printing lighter colors first and progressively carving and printing darker colors with the "key" plate, or main image, coming last. All skill levels are welcome. |
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Fee: $65 ($78 nonmember)
Supply Fee: $20 |
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ETCHING FROM THE LIVE MODEL
Paul Mullowney
First Saturday of the Month
Session 2: May 5, 2007
9:00 am - 12:00 noon
Print Studio
Join us in the Print Studio to explore why artists draw the figure and how print-making artists employ it directly in their medium. As a model poses, participants will work on drypoint, soft and hard ground plates, etching and proofing the images in subsequent sessions. In the first session, master printer Paul Mulllowney presents a refresher for intaglio media. People wishing to simply sketch during the sessions are encouraged to join. |
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| Fee: $25 ($30 nonmember) |
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INTRODUCTION TO PHOTO-BASED PRINTMAKING
Casey Neumann and Gwen Arkin
Thursdays, 5 weeks
May 3, 2007 - May 31, 2007
6:00 pm - 9:00 pm
Create and finish a project in traditional print media with the aid of basic technical Photoshop skills. Gwen will guide you through the photographic portion of this exciting image making method, while Casey brings her expertise in black and white and four-color etching as well as lithography to this class. You will produce black and white and/or four-color photo etching as well as photo lithographic images. |
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Fee: $145 ($160 nonmember)
Supply Fee: $30
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FREE LECTURE: ARTEMIO RODRIGUEZ
Thursday, April 26, 2007
7:00 pm - 8:00 pm
HuiPress Artist in Residence Artemio Rodriguez discusses his work as one of the leading California artists working in the traditional forms of woodcut and linoleum cut printing. The founder of La Mano Press in Los Angeles, his work has been featured in many exhibitions and publications. He has also published several books and recently curated the New York exhibition Graphic Reality: Mexican Printmaking Today. |
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MIXED MEDIA: COLLAGE STENCIL PAINTING
Silvia Capistran
Wednesday, Thursday, Friday
April 18, 2007 - April 20, 2007
6:00 pm - 9:00 pm
Print Studio
Join Los Angeles based artist Sylvia Capistran as she introduces a variety of methods of creating stencils from paper or textured fabrics which can be applied to a variety of surfaces including paper, canvas, metal, and wood, using spray, acrylic, watercolor or oil paints. Found items from nature and home form backgrounds or foreground imagery, with collage materials laid over those.
Silvia Capistran is one of the founding members of La Mano press in L.A.'s China Town, a community access studio and publishing enterprise dedicated to promoting printmaking among urban artists. |
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Fee: $125 ($150 nonmember)
Supply list provided upon registration. |
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ETCHING FROM THE LIVE MODEL
First Saturday of the Month
Session 1: April 7, 2007
9:00 am - 12:00 noon
Print Studio
Join us in the Print Studio to explore why artists draw the figure and how print-making artists employ it directly in their medium. As a model poses, participants will work on drypoint, soft and hard ground plates, etching and proofing the images in subsequent sessions. In the first session, master printer Paul Mulllowney presents a refresher for intaglio media. People wishing to simply sketch during the sessions are encouraged to join.
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| Fee: $25 ($30 nonmember) |
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BEGINNING PRINTMAKING: THE COLLOGRAPH PRINT
Beginner
Abigail Romanchak
Mondays, 6 weeks
April 2, 2007 - May 7, 2007
6:00 pm - 9:00 pm
Print Studio
If you are a fan of texture and embossing you will love this method of printing! Collographs are printed from a collage of various materials adhered to a hardboard plate. Join Abbey as she guides you through the methods and endless possibilities of this medium. |
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Fee: $150 ($180 nonmember)
Supply Fee: $30 |
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BEGINNING PRINTMAKING III: PLATE LITHOGRAPHY
Beginner
Casey Neumann
Saturdays, 9 weeks
January 20 - March 17, 2007
9:00 am - 12:00 noon
Join Casey to experience the unique characteristics of lithography: the direct reflection of the artist’s hand in the drawn or painted image. You will learn how to transfer drawn images photographically to the plate as well as the direct drawing with crayon and tusche on aluminum plates. Multi-plate color registration will also be covered. |
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*Supply Fee of $30 to paid at the first class.
Fee: $225 ($270 nonmember)
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INTERMEDIATE OIL-BASED REDUCTIVE WOODBLOCK PRINTING TECHNIQUES
Intermediate
Casey Neumann
Thursdays, 9 weeks
January 18 - March 15, 2007
6:00 - 9:00 pm
Print Studio
Explore the many possibilities of multi-color printing from one single block. Reductive printing involves printing lighter colors first and progressively carving and printing darker colors with the “key” plate or main image, coming last. We also cover stenciling, collage and multi block techniques with an emphasis on larger images. |
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Skill Level: Basic woodblock printing experience and consent of instructor.
*Supply Fee of $30 to paid at the first class.
Fee: $225 ($270 nonmember)
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INTENSIVE INTAGLIO
Intermediate
Paul Mullowney
Mondays, 9 weeks
January 15 - March 12, 2007
6:00 - 9:00 pm
Print Studio
Paul guides an intensive survey of intaglio techniques from hard and soft ground, drypoint, aquatint, to multi plate registration. The course will include a survey of the history of intaglio printmaking through the present, as well as visits by visiting HuiPress Artists in Residence. Students will accomplish a body of work from conception to final edition. |
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Skill Level: Experience in intaglio printmaking processes and consent of the instructor.
*Supply Fee of $30 to paid at the first class.
Fee: $225 ($270 nonmember) |
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SIX MONDAYS IN PRINT
OPEN STUDIO
Paul Mullowney
November 13 - December 18, 2006
6:00 - 9:00 pm
Drop in at the Print Studio for a series of demonstrations and discussions in various intaglio media. Learn the secrets of the perfect aquatint, consistent results in editioning, curating and presenting work. Sign up for one session or all six! Advance registration highly recommended. |
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November 13
The Perfect Etch for Soft and Hard Ground
Learn to get consistent results using ferric chloride baths.
November 20
Multi Plate Printing
Mapping and creating complex multi color images--the easy way!
November 27
Aquatint Demystified
The perfect aquatint every time.
December 4
Spit Bite Aquatint and Chine Collé
Learn how to make your etchings look like watercolor paintings.
Demonstration of chine collé with Japanese papers will follow.
December 11
What's That Weird Tank in the Corner!!??
Steel facing explained; brighter colors! Larger editions!
December 18
Presenting Your Work
Drying, flattening, curating, and framing prints for professional presentation.
Fee: $25 ($30 nonmember) per session.
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BEGINNING JAPANESE WOODCUT PRINTMAKING
Level: Beginner
Casey Neumann
Saturdays and One Sunday, 6 weeks
November 4, 2006 - December 16, 2006
9:00 am - 12:00 noon
oin Casey to learn about the vast possibilities of this time-honored hand printing technique! Carve and print with basic multi-color, multi blocks and also discover more experimental approaches including the incorporation of printed brushstrokes, wood grain and hand painting.
(Irregular schedule. Please ask for details when you register.) |
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*Supply Fee of $30 to paid at the first class.
Fee: $150 ($180 nonmember) |
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BEGINNING PRINTMAKING II:
Intro to Intaglio
Open
Abigail Romanchak
Wednesdays, 6 weeks
November 1, 2006 - December 6, 2006
6:00 - 9:00 pm
History and process merge in this introduction to intaglio printmaking. Whether you are a beginner or a more experienced student, expand your technical skill when you work with dry point, soft ground, hard ground and aquatint techniques. Check back for a listing of guest lecturers! |
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*Supply Fee of $30 to paid at the first class.
Fee: $150 ($180 nonmember) |
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BEGINNING PRINTMAKING I
Intro to Relief Printing
with Abigail Romanchak
Wednesdays, 6 weeks
September 20, 2006 - October 25, 2006
6:00 pm - 9:00 pm
This course is designed to introduce students to a wide variety of possibilities in relief processes including woodcut, lino cut and collograph. In addition, the history of these processes will be included. This course is oriented both to the beginner and to the more experienced student who wants to brush up on their studio skills. |
Collagraph by Abigail Romanchak |
Supply fee covers basic supplies.
Fee: $150 ($180 nonmember)
Supply Fee: $30 |
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INTENSIVE PHOTOGRAVURE AND DIRECT GRAVURE
August 16-20, 2006, 5 days
Wednesday, 6:00 - 9:00 PM
Thursday - Sunday, 10:00 AM - 4:00 PM
Photogravure is a truly continuous tone photographic etching process, unlike any other photographic printing process. The tonalities are created by an ink layer, gradually varying in depth, with a very fine aquatint to hold the ink. A film positive can be created digitally or traditionally on litho film, and in this course we will touch on direct gravure, using hand-drawn positives on mylar to create images. Students learn to etch the plate gradually from the deepest shadows to the brightest highlights to achieve a much wider range of tones than any other photographic process. The finished plate is printed as an etching on a heavy rag paper with an oil-based ink that may be of any tone or color. The result is an archival continuous tone photographic print, with the plate mark embossed, giving the final print an almost three-dimensional quality. Photogravure is a medium that can be equally as rewarding for printmakers as for photographers. |
Lothar Osterburg |
Fee: $375 ($450 non-member)
Supply Fee: $30
Supply fee includes film for one image and one 8 x 10" plate, rags, solvent, and proofing black ink. During the course of the workshop students should expect to purchase additional plates, paper, and inks which are for sale in class. |
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FREE LECTURE
Lothar Osterburg
Friday, August 11, 2006
7:00 pm
Join us in the print studio for an evening discussion about printmaking.
Osterburg will talk about his career as an artist and master printer. |
Lothar Osterburg |
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INTENSIVE INTAGLIO WORKSHOP
Paul Mullowney and Amelia Hankin
Monday - Saturday, 6 days
July 24 - 29, 2006
9:00 am - 5:00 pm
This is a week-long intensive class in copper plate etching techniques designed for serious students of printmaking with prior knowledge of intaglio methods. This is a chance to create plates for that image you have been dreaming of starting, or to bring in your plates and really get serious about learning how to edition. Aquatint, spit bite aquatint, sugar lift and all manners of ground etching will be covered. After hours the studio will be available to work. Two teachers will be assisted by summer interns from the Rhode Island School of Design printmaking department, assuring each student gets personal attention. Space is limited so please sign up early. Open to students with prior experience in the studio, or by special arrangement with the teachers. |
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Cost includes studio supplies; rags, solvents, proofing black ink. Plates, paper, and inks are for sale and students can expect to spend $50 - $100 on purchased supplies.
Fee: $575 ($690 non-member)
Amelia Hankin is a recent graduate of the Rhode Island School of Design MFA printmaking program where she also studied in the Japan Program at Seika University, Kyoto. She has taught at RISD, the Smithsonian Summer Camp Program, and at The Lee Arts Center in Arlington, Virginia. |
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STUDIO DROP-IN DISCUSSION AND CRITIQUE
Joyce Kozloff
Session I: Friday, June 16, 2006
Session II: Saturday, June 17, 2006
1:00 - 5:00pm
This is a unique chance to meet Joyce Kozloff who is available to critique and discuss work with individuals and as a group. During these two days of interaction we are striving to open up communication among artists and create a dialogue that will be important to the way we approach our work. Artists interested in a wide range of issues, from feminism and geopolitical issues, to the role of beauty and decoration in contemporary art, or in Joyce's words, "how to create an art that is both graphically satisfying and intellectually questioning," should consider joining this discussion. It takes place in the printmaking studio where Joyce's new work in progress will also be on view for discussion. |
Joyce Kozloff (far right) |
Registration begins May 15, 2006. Participants may register for one session by sending an e-mail to info@huipress.com with "Kozloff Discussion" in the subject line. Space is limited. Students should bring recent work for the discussion.
Fee: Free to Hui Members |
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FREE LECTURE
Joyce Kozloff
Thursday, June 15, 2006
7:00 pm
Kozloff will talk about her public work including the monumental woodcuts, Voyages, which she will be completing at the Hui in June for exhibition in Venice, Italy, in September 2006. |
Scale model of proposed Voyages installation for Venice, Italy exhibition |
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KITEMAKING WORKSHOPS
Nobuhiko Yoshizumi, Scott Skinner and David McDaniel
Friday, Saturday & Sunday
May 12, 2006 - May 14, 2006
Friday, 6:00 - 9:00 pm, Saturday & Sunday, 9:00 am - 4:00 pm
Master kite builder Nobuhiko Yoshizumi from Kyoto will be joined by kite expert Scott Skinner and Master Printer David McDaniel for one evening and two days of instruction and demonstration in building, hand painting, and block printing of kites. Sunday will be the kite flying day on the grounds of the Hui. Pray for wind! This is a unique chance to explore this fascinating and fun traditional art form. For adults and youngsters (ages 9 - 14) accompanied by a parent. |
Kitemaking workshop |
For registration details, please call 808-572-6560 ext. 1.
Supply fees cover kite kit and paper (woodblocks sold separately in class).
Fee: $200 ($240 non-member)
Supply Fees: $20
Click here to register online now!
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VISITING ARTISTS FREE SLIDE LECTURE
Scott Skinner
Thursday, May 11, 2006
7:00 pm
Scott Skinner is founder of the Drachen Foundation, a non-profit educational corporation dedicated to the diffusion of kite knowledge worldwide. He will talk about his work with kites which has taken him around the world spreading appreciation of the art form.
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Scott Skinner |
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WASHI WORKSHOP
Hiromi Katayama
May 5, 6 & 7, 2006
Friday, 5:00 - 9:00 pm
Saturday, 9:00 am - 5:00 pm
Sunday, 8:00 - 11:00 am
Hiromi Katayama, owner of Hiromi Paper International, is one of America's leading authorities on Japanese hand-made paper, called washi in Japan. She and her assistant will guide students through the traditional processes of washi making--from preparing and beating Japanese kozo (mulberry) pulp, to the forming and drying of sheets. Not to be missed for any artist who works with paper. |
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Fee: $200 (non-member $240)
Supply Fee: $20 (for kozo pulp)
Click here to register online now!
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SPECIAL WORKSHOPS
May 2006
In conjunction with the exhibition Washi to Wings: The Art of Japanese Kites, visiting artists from Japan and America will offer workshops in the traditional Japanese art forms of kite making and paper making. |
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VISITING ARTIST
Thursday, April 13, 2006
7:00 pm*
*Please note new time!
Free slide lecture by Sandow Birk
Don't miss the special talk by artist Sandow Birk, who will speak about his work in the gallery walkthrough as part of the exhibition of his work The Leading Causes of Death in America: Recent Graphic Work by Sandow Birk. Art Historian and Hui programs director Marilyn Vierra will be on hand with Paul Mullowney, print studio director, to add comment on the work. |
Sandow Birk, Canto XIV: Guido and Rinier, from Purgatorio, courtesy of Catharine Clark Gallery |
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ALTERNATIVE PROCESSES IN PHOTO AND PRINTMAKING
Gwen Arkin and Paul Mullowney
Saturdays, 6 weeks
March 25 - April 29, 2006
1:00 - 4:00 pm
The traditional processes of cyanotype and Van Dyke printing are classic and exciting ways to transfer images to Western and Asian papers, silks and fabrics. In the Print Studio this class will explore the combining of alternative photo processes with traditional copper plate etchings and woodcut. We will cover the use of Japanese papers in printing, and traditional methods of cooking wheat starch paste for collage. Creating films with Photoshop will also be integral-- Bring your laptop if you have one! Open to all skill levels. |
Gwen Arkin, Van Dyke print |
Fee: $205 ($246 non-member)
Supply Fee: $35
(includes ink, chemistry and film)
Gwen Arkin is an experimental photographer who explores non-silver photographic processes and uses nontraditional cameras. These primitive apparatuses and 19th century processes require the artist to relinquish control and focus exclusively on composition, light and texture. Such constraints result in an extremely visceral process, and in impressions that are both unpredictable and often serendipitous. She holds a MFA from the University of Colorado and has previously taught at the Colorado Institute of Art. |
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INTERMEDIATE PRINTMAKING
Abigail Romanchak
Saturdays, 5 weeks
March 25 - April 29, 2006 (no class April 22)
9:00 am - 12:00 noon
This is a continuation of the popular beginning printmaking which explored basic techniques in the print studio. Students will be led through demonstrations in intermediate techniques of etching, collograph and relief. Open to students with previous knowledge of the printmaking studio. |
Collagraph by Abigail Romanchak |
Fee: $170 ($206 non-member)
Supply Fee: $30
(includes inks, solvents and studio use)
Abigail Romanchak received her BFA and MFA in printmaking from University of Hawaii, Manoa, under the instruction of Charles Cohan. While at U of H, she also studied at the University of New South Wales, Sydney, Australia, for a semester. After teaching art at Punahou in Honolulu for one year, Abbey returned to Maui, where she was born, to concentrate on her art career. In July, Abbey assumed the new position of Assistant Printer at the Hui Print Studio, and will also be teaching adult and children’s classes.
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